VANGUARD RECORDS PRESS RELEASE
July, 1966
YOU'RE IN FOR A SHOCK - A HAPPY ONE!
This is the wackiest record Vanguard has ever put out -- and good music too, as well as a lot of fun. You can even dance to the music, but don't try whistling it. Everything that the new art of electronic sounds can do, combined with some slightly bewildered regulation instruments, is here applied to a set of bouncy numbers, some with familiar tunes , others newly and delightfully composed.
The IN SOUND FROM WAY OUT.
What is the IN SOUND FROM WAY OUT! ? Atoms of pop music exploded into fresh patterns. It's electronic sound of pop music from the future. A sample of the strange new pleasure of a world which belongs to the space age. A sample of the electronic "Au Go Go" that might be heard soon from the juke boxes at the interplanetary way stations where space ships make their rest stops.
How is it produced? A new process called "Electronic Sono-synthesis" was created by Jean Jacques Perrey. To produce these syntheses not only musical instruments from electronic sources (Jenny Ondioline, Martenot Waves, etc.) but also sounds of natural origin (i.e. musique concrete) were used. These sounds were modified, transmuted, transformed, to the point of changing their harmonic structure - making out of them new, unprecedented original sonorities.
Each sound thus created was then prerecorded on tape, classified, cataloged by frequency and timbre. At the time of composing the "musical phrase", each sound was "isolated" and selected according to its nature. The sonorities were then painstakingly assembled by splicing each bit of tape together manually with micrometric precision to form the "melodic line" and / or the rhythmic structure of the piece chosen.
The synthetic rhythmic-melodic tape track thus created was then carefully synchronized with music played by live musicians on both electronic and natural instruments as well as with electronic sounds produced by oscillators, tone generators and feedback loops. Finally, through a complicated process of intricate overdubbing the likes of which we believe have never been done to this extent on records, a multi-channel tape master was produced embodying a synthesis of all electronic and natural elements.
The perpetrators of this riot of new sounds are Jean Jacques Perrey and Gershon Kingsley. Perrey, a Frenchman who has devoted his life to the study of electronic music, decided to take the mystery out of the machines that threatened to be the masters of men. Kingsley, a gifted composer of classical music, has an impressive Broadway background behind him as a conductor and arranger. Together Perrey and Kingsley pooling their considerable talents, have produced a record of musical joy and wit. So switch in to the switched-on IN SOUND FROM WAY OUT. |
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J. R. R.
ROGUE AT PLAY
ROGUE MAGAZINE (June, 1967)
An inviolable law of nature is that some things are more inevitable than others. High on the list of inevitables was electronic pop music. With the ever increasing dependence of the pop crowd on electronic effects and enhancement, going all the way was as fated as the final escalation in a petting session.
Surprisingly (how's that for humanistic condescension), the results on Perrey-Kingsley: The In Sound From Way Out (Vanguard) are tonal, amusing, original and go-goable, the latter, as we understand, is the current synonym for dancing. [Jean-] Jacques Perry and Gershon Kingsley have combined to create and play (?) one of the most witty and delightful pop releases of the year. |
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